Born in Úbeda (Jaén). Natalia begins by participating in various International Dance and Folklore Competitions under the direction of Conchita Álamos.

She has taken part and played the roles of prima ballerina and soloist in several companies: Compañía Ziryab Danza directed by Javier Latorre; Blanca del Rey's Company in Pasión Flamenca; Company of José Antonio and the Spanish Ballets interpreting La Molinera from El Sombrero de Tres Picos de Falla and forming a couple with José Antonio in the production Homenaje a Goya at the Teatro de la Zarzuela in Madrid; NBE Company (New Spanish Ballet) directed by Carlos Rodríguez and Ángel Rojas; Flamenco XXI Company directed by Ricardo Franco, etc.

She dances at Arena de Verona with the operas Carmen and Trovatore and in the production La Traviata under the direction of Franco Zeffirelli and with choreography by El Camborio and Lucía Real.

In 2000 she created her first company, De Lunares Danza, participating in various international festivals and touring Europe (2001-2002).

She is invited as a choreographer and principal dancer by the Theater Royal La Monnaie in Brussels, La Fenice in Venice and the Saö Carlos Theater in Lisbon for the production ¡Ay Amor! based on El Amor Brujo and La Vida Breve, under the stage and musical direction of Herbert Wernicke and Joseph Pons.

She performs La Vida Breve in the Opening Concert “España Nuevo Milenio” under the musical direction of Rafael Frühbeck de Burgos.

She dances at the Seville Biennial, the Jerez Festival and the Valencia Dance Festival with the Carmen Cortés Company in La Celestina, with Dance in Company in Alma Morena and with Extremus Danza and Eva Moreno in Pared con Pared (2004-2005) .

She toured the United Kingdom with the OCG (Orquesta Ciudad de Granada) performing El Amor Brujo with Carmen Linares.

In 2006 she created the Cía. she danced with Bruno Argenta creating her first show Perfiles del tiempo; in 2009 they made their second production ¡Voy !, idea and choreography by Teresa Martin, with whom they have continued working.

In 2012 she revived the show ¡Ay Amor! for the Teatro de la Zarzuela in Madrid, as a choreographer and dancer, and in that same theater she choreographs for the production La Verbena de la Paloma and Los Amores de Inés, under the stage direction of José Carlos Plaza.

In 2015 she is invited by the Wroclaw Opera House to teach different Spanish dance workshops.

In 2016 she danced with Bruno Argenta Trois Danses in Holland and Switzerland with the Geneva Chamber Orchestra, under the baton of Ed Spanjaard.

In 2019 they premiered with danZarte their new show Los Laberintos de Dürrenmatt at the Centre Dürrenmatt in Neuchâtel and also performed it in the 25th Muestra de Teatro de Otoño de la ciudad de Úbeda.